Shooting Classic 1960–70s Nikkor Lenses on Nikon Mirrorless This article is about using classic manual‑focus Nikkor lenses from the 1960s and 1970s on a modern Nikon mirrorless via the FTZii adapter. It is not a nostalgia piece, but it is also not pretending this is a purely rational choice. It is an account of…
Did you know that Aperture f-stops are a Maths Thing? Most photographers learn aperture as a ranking: f/2 is “wide”, f/8 is “narrow”, and smaller numbers mean more light. What often never gets explained is that the numbers themselves already contain that information. They are not arbitrary labels. They are measurements. And once you see…
Switching from DSLR to Mirrorless Most discussions about switching to mirrorless focus on features. Eye-AF. Frame rates. In-Body-Image-Stabilisation (IBIS). Video specs. Those are easy to list and easy to market. What is talked about far less is the cognitive and behavioural shock that comes from abandoning years, sometimes decades, of DSLR muscle memory. If…
My Adobe Camera Raw Post-Production Workflow A decision-gated approach to validating capture quality, not rescuing it My post-production workflow is built around a single premise: post-processing should confirm that an image deserves to exist, not persuade it to. Every stage is designed to reduce optionality, surface failure early, and prevent effort being spent on…
Choosing ISO to Match My Photography Style Most of this article is about my own personal philosophy on how I choose ISO for my style of photography. It’s neither right nor wrong in any way. How you want to shoot, and the reasons you have to justify the choices are totally up to you.…
Will I enjoy Infra-Red Photography? It took me a while to figure out that this was really the underlying question I wanted answered. But that realisation was very valuable. It likely saved me a lot of money and frustration as a result. So, here’s my practical journey into Infrared photography: From Curiosity to Control. …
Are You Wasting Focus? Most photographers are taught a simple and widely repeated instruction: focus on the subject. The camera confirms focus, the shutter is released, and the photograph is taken. In many situations this approach works well enough, which is why it persists. However, this habit often prevents photographers from noticing how much usable…
Macro Lenses & Three Alternatives: Shooting macro can be heaps of fun. It can also be expensive, but it doesn’t have to be. I thought I’d put together a little summary of my own experience with Macro lenses, and why I have ended up on the solutions that I use now. I’ve used these dedicated…
